4.4.12



k a  m a t e  k a  o r a
a new zealand journal of poetry and poetics

A new issue of ka mate ka ora focusing on the myriad facets of poetry translation was launched in Auckland last Friday. It includes articles by Laurie Duggan, Jack Ross, Jacob Edmond, Cilla McQueen, Jane Zemiro and others. Read the journal here.

                     The editor, Murray Edmond, launching 'ka mate ka ora' in Auckland


17.3.12

10.3.12


Anyworld, a pocket book selection of ten poems.
Published by Flying Island Books in February 2012.


For further information or for copies of the book email the publisher - macaustories@yahoo.com


3.3.12


A poetry symposium coming up in Auckland, New Zealand at the end of March - short takes on long poems (click on the symposium title for program & info | plus, here is a link to Duckwalking a Perimeter, the poem I'll be presenting - for anyone who's going to NZ).




27.2.12

In An Attempt at Exhausting a Place in Paris, originally published in France (Tentative d'épuisement d'un lieu parisien) in 1975, Georges Perec notates the comings and goings from a couple of cafes, a bar tabac and a bench in Place Saint-Sulpice over three days in October 1974.

Georges Perec reading the accompanying book as he listens to Richard Wagner's 'Ring Cycle' in 1972 (photo by Christine Lipinska).


Here is a short extract from the book-


Small poodle-type dog.

A sort of double of Peter Sellers, with a very pleased expression on his face, walks by the cafe. Then a woman with two very young children. Then a group of 14 women coming from the rue des Canettes.

I have the impression that the square is almost empty (but there are at least twenty human beings in my line of sight).

A postal van.

A child with a dog

A man with a large "A" on his sweater

A "Que sais-je?" truck: "La collection 'Que sais-je' a réponse à tout [The 'Que sais-je' collection has an answer for everything]"

A spaniel?

A 70

A 96

Funeral wreaths are being brought out of the church.

It is two thirty

A 63, an 87, an 86, another 86, and a 96 go by.

         Georges Perec in 1976

On her blog When Is A City, Christina Juhlin selects some quotes from Georges Perec on writing urban and ordinary life here.




21.2.12

more from paris

                                         Mina Loy, 1917 (photo by Man Ray)

Mina Loy wrote two pieces on Gertrude Stein. A few decades ago now, I read Gertrude Stein in The Last Lunar Baedeker, a selection of Mina Loy's writings edited by Roger Conover and published by the North American poet and photographer Jonathan Williams' press The Jargon Society, in the UK in 1982. You can find that lengthy piece here.

              Cover of 'Stories and Essays'. Mina Loy,1905 (photo by Stephen Haweis)

Now, in Stories and Essays of Mina Loy edited by Sara Crangle, published by Dalkey Archive Press in 2011, there is a shorter piece on Gertrude Stein. Mina and Gertrude met in Florence sometime around 1910 or 1913, and became friends. This piece is Mina Loy's introduction for Gertrude Stein (originally written in French) for a Paris salon run by US expatriate Natalie Barney in 1927.

Please click on the images to enlarge them. (The French original follows the English translation). Please excuse the wonky pages.

                                          Mina Loy, 1957 (photo by Jonathan Williams)


4.2.12

The Bois bores me

Hope Mirrlees : Collected Poems, edited by Sandeep Parmar has been published by Carcanet in the U.K. It has a great Introduction and extensive notes on the poems.

Hope Mirrlees was born in Kent in 1887. She grew up and was educated in Scotland and, in 1910, went to study classics at Cambridge, where she met her companion, Jane Harrison. She moved to Paris in 1922 to live with Jane Harrison at the American University Women's Club in Montparnasse. Jane died suddenly from leukaemia in 1928. Hope Mirrlees moved, in the 1940s, to South Africa and didn't publish again until 1962. She died in England in 1978.

Even though it was first published by Leonard and Virginia Woolf's Hogarth Press in 1919 I didn't read Hope Mirrlees' long out-of-print PARIS - A Poem until ninety years later. It is experimental, unlike her other poems which are conventionally organised into left-justified stanzas. The late Virginia Woolf scholar Julia Briggs called PARIS - A Poem “modernism’s lost masterpiece, a work of extraordinary energy and intensity, scope and ambition.”

                                       Please click on the images to enlarge the extracts

As I've said, PARIS - A Poem has been out of print for a very long time. It could only be found as a pdf file on the web here. Now, it's included in the Collected Poems and Mike Tortorello's Pegana Press has published a limited edition of the poem. According to him Paris - A Poem influenced T.S.Eliot, Ezra Pound, and Virginia Woolf. My poem American Memories, Melbourne was directly influenced by Hope Mirrlees. You can scroll down to the end of this post to read it.

                                       Pegana Press Limited Edition
Hope Mirrlees with Lytton Strachey and others at Ottoline Morrell's house Bloomsbury,around 1930.

Philadelphian novelist and biographer of Hope Mirrlees (a limited edition), Michael Swanwick, has annotated PARIS - A Poem.


Here is my poem influenced by Hope Mirrlees' PARIS - A Poem. It was written in late 2009.(Click on the title for a full size version).

American Memories, Melbourne




31.1.12


Little Esther Books has published two new booklets (14.5x16cm). Both books designed by Ken Bolton for Feral, Boffin & Distingué of Adelaide. Ken Bolton's Four Poems is a reprint of the classic Four Poems published by Sea Cruise Books in Sydney in 1977. The cover image 'Optikon' is a detail from a painting of an aerial view of East Sydney by Michael Fitzjames.

Longtime collaborators John Jenkins and Ken Bolton have written new poems in Lucky for Some. Cover image and inside drawings by Ken Bolton.

Ken says - We wrote these poems quickly: John Jenkins arrived [in Adelaide] from Melbourne with a change of clothes, toothbrush etc - and fifteen or more ordinary envelopes, in each of which were four or five lists of phrases suitable as titles or as prompts for first lines of poetry... and so they continued and produced thirteen (lucky for some) new poems of twelve lines each.

Sydney poet, John Tranter, likes these booklets so much he has them all stitched up...to see the transformation visit his web journal.

Little Esther Books, Box 10114, Adelaide BC, South Australia 5000

            Sea Cruise Books' first edition of 'Four Poems', 1977



The second instalment of the feature I compiled for Jacket2, 'Fifty-one contemporary poets from Australia', has been published. It is ordered, in the interest of objectivity by a recently invented ‘downunder’ method — the reverse alphabet and includes work from Pete Spence, Jaya Savige, Tracy Ryan, Gig Ryan, David Prater, Peter Minter, Geraldine McKenzie, David McCooey, John Mateer, and Cameron Lowe, along with artwork by Pete Spence. Read it here.

The first instalment includes Mark Young, Tim Wright, Fiona Wright, Adrian Wiggins, Alan Wearne, Corey Wakeling, Ann Vickery, John Tranter, James Stuart and Amanda Stewart, along with artwork by Louis Armand and Paul Sloan. You can read the introduction and Part One here.

There are three further instalments to come.




26.1.12


thankyou for your patience. the deletions will resume blogging shortly ...



22.1.12


In Chinatown this morning the racket of acrobatic Dragon Dancers and drums was rowdy and rousing. The stalls covered in red and gold decorations were buzzing - it seems many facsimiles of many things can bring luck - including a pineapple! Red lanterns were everywhere. Long paper Dragons with slightly fearsome faces 'snaked' around the arcades. A calligrapher painted a small new year banner for us to pin on our front door. She said it was for health and wealth in the coming year. So, here it is - may the Year of the Dragon be an auspicious one for my friends.



14.1.12


I was invited by Jessica Lowenthal to revisit the original Jacket magazine over a few months by writing occasional commentaries for Jacket2. I have begun my stint. To read the first one,'Two poets who write about art', follow this link.



10.1.12

Step Into The Past

Last week I drove down to Melbourne with my partner and her daughter. We stayed one night in a town called Holbrook, on the Hume Highway, halfway between Sydney and Melbourne.We stayed at the motel that advertised biggish screen tv.



There is a second world war submarine in Holbrook. That seemed really strange but I didn't find out why it was there. There is no ocean, nor river, nearby. Just a stranded submarine and its museum - closed in the evening.
I souvenired a coaster from the Returned Servicemans League where we had dinner.



Walking back to the motel into a daylight-saving sunset we passed a house flying a revolutionary flag.
Holbrook seemed like a peaceful, historic old wool town, cut through by the highway and a ceaseless traffic of trucks. The locals are anticipating an imminent highway bypass with enthusiasm. 



24.12.11

Three Reviews



My recent and last reviews for 2011 - three Australian poetry titles -

Sly Mongoose by Ken Bolton, on the web in Galatea Resurrects here.

Perrier Fever by Pete Spence, also in Galatea Resurrects here.

New Poets 1 - Emma Rooksby, Scott-Patrick Mitchell, J.P. Quinton - edited by Tracy Ryan on the web in Heat Poetry Online here.






2.12.11



Three Australian online poetry features published at once -




The Australian independent and small press network, Small Press Underground Networking Community SPUNC has published its Summer Poetry Feature in four parts. Work from twenty-six poets' books published by independent small presses represented by SPUNC, edited by Kent MacCarter.




Issue 36 of Cordite Poetry Review guest edited by Jill Jones. Visual poetry, poetry and audio files (audio & spoken word editor Emilie Zoey Baker).
This issue of Cordite makes a bow to music and the ways musicians in various modes and guises have used electric technologies to generate sound.




The first instalment of a presentation of fifty-one contemporary Australian poets in Jacket2, edited by myself.

Please visit Jacket2's gallery to view the accompanying art.


                     Paul Sloan, gouache on paper, 2011

Forty-one further poets and many more artworks to come in the J2 Australian poetry feature.
Stay posted.






28.11.11





Launched at lunch on Sunday 27th November, More is Plenty is a limited edition monograph on multimedia artist Kurt Brereton's work since the mid-1970's, edited by Adelaide art critic and poet Ken Bolton. Contributions include an introductory essay by the editor and essays by George Alexander, Anne Howell, Arnie Goldman, Diana Wood-Conroy, Edward Dore and other art writers.

The book is beautifully produced (in square format) with many full colour images of the work and photographs of performances, installations, works in progress and the artist's family.

It publishes the brilliant Pathetic Manifesto compiled between the years 1997 to 2000, and culminating in 2006 in an artist's talk at Project Contemporary Artspace in Wollongong - Patheticism - A Report from the Illawarra Frontline. Consisting of 46 short statements this discursive talk/manifesto outlines the concerns of contemporary artists who celebrate failure, immorality, style-free art and who have no interest in the romantic abject or sublime.





Kurt Brereton's notes on Patheticism -
• attempts to synthesize disparate accounts of pathos and the pathetic.
• indicates a desire to move beyond the bounds of irony via an unapologetic occupancy of a position which is from the outset acknowledged to be untenable in any heroic sense yet very human.
•ethos of empathy, the democracy of failure, and any other excesses of hyper-individual introspection (from any era).




Some of the reproductions of the paintings -


                        Dreamhome, No 6, 2007


                         Tagging the Escarpment, 2007

For more on this diverse work and info on how to buy More Is Plenty visit Kurt's web site here






21.11.11





from Big Bridge #14:
Before drifting away from his involvement in poetry in the earliest years of this century, Vincent Farnsworth was involved in poetry milieus in the San Francisco Bay Area, New Orleans and Prague, featured in international festivals in Prague and Bratislava, managing a journal JEJUNE: a.e.i.y., author of Immortal Whistleblower (Lavender Ink, New Orleans) and published in many little magazines and online poetry sites. A graduate in Creative Arts from San Jose State University, Farnsworth studied under the late Naomi Clark as well as Lucille Clifton and was influenced by Tom Clark and Peter Dale Scott. He was featured in the Micro-Festival Poetry Series in Prague, Czech Republic in April 2009, marking a return to his work in the concept of "deep poetics", trying to fuse the contemporarily relevant and political with perennial truths. Farnsworth also performs as "Reverend Feedback" in the music group Blaq Mummy and solo as Pazvuky in Prague, Czech Republic, where he lives and works as a teacher. He has been active in anti-war and human rights activities in Central and Eastern Europe.

Further information and publisher, Litteraria Pragensia.

There is an essay by Louis Armand, the resistance of medium [On the Poetry of Vincent Farnsworth], in VLAK 2.






9.11.11




                    Astrid Lorange is fossicking in Sydney for Jacket2.
                    Click here to see her findings, so far.