And even more - Coming up in May UWA Publishing presents
to be launched
by Pam Brown
Friday 11th May
5:30 for 6:00 pm
at the Common Room
Woolley Building A20
University of Sydney
The publicity says :
Ladylike is Australian poet Kate Lilley’s much awaited second volume of poetry, following her 2002 debut Versary (Salt Publishing).
The title poem of this collection (‘Ladylike’) draws on pamphlets associated with the notorious case of the bigamist Mary Carleton, who was executed in 1673, and texts contemporary with it; women from Sigmund Freud’s case studies provide the material for the series of poems, ‘Round Vienna’; and the poem ‘Cleft’ is dedicated to Kate Lilley’s mother, Australian literary giant Dorothy Hewett.
Throughout this collection, Kate mines the areas of her scholarly specialisation – the early modern period – as well as contemporary popular culture and matches it with some of the twentieth century’s enduring interests such as psychoanalysis and Freud. Ladylike is a valuable addition to Australian poetry at large and will be of interest to readers of poetry, early modern history, Freud and early psychoanalysis.
Pam Brown says :
Kate Lilley's trim poems linger in thresholds between the material world and otherworlds of slippage and undersound. Women and girls - strumpet, slattern, coquette, rubbermaid, princess - wayward, proclaimed, scandalous, diminished, wronged - are recovered and redeemed. In the dolour of grief, mother and daughter coalesce imperceptibly and mourning is immense. Ladylike loves language literarily. Kate Lilley is a mistress of adverbs and discrepancies. She adroitly melds the seventeenth century with the nineteenth and the twentieth, with its cinema classics and Freudian psychosexual dreams and neuroses, into the televisual synthetics of the twenty-first. These poems are compelling and exquisite.
Kate Lilley was born in 1960 and grew up in Perth and Sydney. After completing her PhD on Masculine Elegy at the University of London she spent four years as a Junior Research Fellow at Oxford University. Since 1990 she has taught feminist literary history and theory at the University of Sydney and has published widely on early modern women’s writing and contemporary poetry. She is the editor of Margaret Cavendish, The Blazing World and Other Writings. Her first volume of poetry, Versary, was published in 2002 and awarded numerous prizes internationally.
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